

Dear Home of Scars
Film21m
Where to watch
Details
- Director
- Marina Meijer
- Language
- English
- Released
- —
- Runtime
- 21m
Community score
Confidence
Rating weighted by how many people voted
Actor Hub
Scene work for this title — private technique journals.
Open journal →The story
In Dear Home of Scars, we see celebrated visual artist Ibrahim Mahama return to his hometown of Tamale in Northern Ghana to visit Red Clay Studio, a lively cultural centre and art space he founded, where he works on a new art installation involving old colonial railcars and the reconstruction of a stretch of track. During British rule of Ghana (1821-1957), the colonisers used trains to transport gold and other resources to the coast. Remnants of track now lie abandoned as silent reminders of this history of exploitation. They are ‘scars in the landscape’, in the words of Mahama. The project brings new energy and self-awareness to local residents. Meanwhile, Mahama reflects on his role as a sought-after artist and builder of local communities.
The room
Ask. Discuss. Find the next one.
Stay with Dear Home of Scars: ask what it is actually doing, talk it through, then follow the traits that made it land.
Ask
Talk it through
Grounded in the film — and in your map, when you have one.
Try asking
3 free asks left without an account.
Actor journal
Private scene work lives in Actor Hub — not on this title page.
Characters
Star up to 5 favourites in Dear Home of Scars. Rank them if you want — picks feed Cinematic DNA; journals stay private.











